Her studio is located at the Citadel Art Studios.Īllen Figone was born (1949), raised, educated and currently resides in San Jose, California. When not painting in her studio Agnes meets at the Baylands or other locations with a small group of like minded artists and enjoys plein air studies.Īgnes has participated in art shows and in Silicon Valley and the Peninsula Open Studios events. She paints in studio from life and sometimes will use photos for reference. In addition to oil painting Agnes has always enjoyed watercolors and attended classes taught by Manabu Saito and Richard Becker. She works primarily in oils and has studied with Jim Smyth, Brigitte Curt, Halcyon Teed, Linda Harris, Charle Muench and Alexander Zimm. #Ipaint san jose california verificationShe also volunteered at the San Francisco Asian Art Museum working on the database verification inventory project and at the Cantor Art Center, Stanford University, cataloguing the Albert Elsen donation for the Docent Library. She left Detroit for Chicago and received her Masters Degree from the University of Chicago and headed west.Īgnes curated exhibitions and worked in sales and design at ZYT Galerie and Your Framing Center in Los Altos. Upon graduation she worked at The Detroit Institute of Arts and enjoyed being exposed to all facets of art world and world class art. She attended the University of Detroit where she received her Bachelor of Arts degree in Studio Art and Art History. To juggle all three gracefully and concisely is to arrive at a work that is both visually and psychologically arresting.Īgnes Derbin-Caulfield, born and raised in Detroit, was interested in art from an early age. What is essential to my work is the synthesis of ambition in scale, concept, and execution. But I don’t want to rely on scale for shock value. By negotiating such enormous amounts of space, my methodology continues to challenge me as an artist. By working on an extremely large scale, I can create an atmosphere instead of just a picture. I believe that there is power in subtlety, yet there is also power in scale. My goal is to use symbolism in a way that acts upon the viewer’s consciousness discretely, as a quiet vehicle for personal and social reflection. In this way the ideas and emotions inherent in the painting come in through the back door. It is the shared human condition that provides the viewer with a stepping-stone to understand the work in an intimate and personal way. While the metaphorical and symbolic meanings that I assign to my work are intensely personal, my intention is to communicate these meanings to an audience that is most likely unfamiliar with me personally. This duality simultaneously aids me in creating an analogy that is based upon the metaphorical value of the figure and the ground. By creating a separation between figure and ground, I am able to imply a duality within the human understanding of the world: Inside and outside, you and me. These figures and their physical situations are vehicles for quickly establishing reference points to particularities of the human condition. This desire is what positions the human figure so centrally both physically and conceptually within my work. When I paint, I strive to illustrate the dynamics of the human condition. Ben Alexy remains an active exhibiting artist in California. His early photographic training continues to inform his work in terms of both composition and the implication of time inherent in stop motion. In painting, he found a voice and a strong sense of purpose and direction. It was this dissatisfaction that steered him toward painting. Initially attending San Jose State for photography, he quickly became frustrated with the process and physical character of the medium. Date: 2009.īen Alexy continues to live and work out of San Jose CA.
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